Like many Catholic chapels erected in the eighteenth century, St. John's contained galleries. The reason for this was not solely to enhance aesthetics but rather as they allowed for the most economical use of space; galleries were a common sight even in many of Ireland's most wretched rural chapels. Galleries also served to enforce social segregation, with those from the lower classes standing in the nave, while the pews above were reserved for the better sorts, with wealthier parishioners often owning their own pew, sometimes marked by a plaque.
In 1850 the exterior of the church was adjusted, refronted with a three bay pedimented front gable, with a clock tower above. In the twentieth century the three square windows below the pediment were removed, and replaced with mosaics to commemorate the Eucharistic Congress of 1932.
A view of the remodeled interior
The original sanctuary was considerably altered, with a new marble high altar and reredos installed. The east wall was given three lancet stained glass windows, and the sanctuary walls were ornately gilded. One of the most striking alterations to church was, however, a new hammerbeem roof in the nave, while the galleries received coffered ceilings, both a dramatic departure from the church's original Classical appearance.
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